Monday, February 14, 2011

In Honor of Robert Johnson (I'll Play Such A Lick)

Interestingly, there are other contenders in the myth of Robert Johnson's devil-purchased soul -- and the crossroads of US 61 and US 49 in Clarksdale is where most blues tourists pay their respects (the Romantics album released in 2003 is called "61/49" for this reason)*.

Of course -- as with ancient Roman tourists setting off to find "sites" from Greek myths -- the location of Johnson's crossroads is not exactly something that can be proven. He was born in Hazelhurst, and his supposed grave is in Quito (near Itta Bena) -- but Rosedale did figure in the lyrics for one of Johnson's most famous songs, "Traveling Riverside Blues".

*To my good friend, Mike Skill, rock on!!

Story by Matt Morgan with some modifications and additions by me, Artwork by Ricardo Pustanio

Robert Johnson, born Robert Leroy Johnson (May 8, 1911 – August 16, 1938) is among the most famous of Delta blues musicians. His landmark recordings from 1936–1937 display a remarkable combination of singing, guitar skills, and songwriting talent that have influenced generations of musicians. Johnson's shadowy, poorly documented life and death at age 27 have given rise to much legend. Considered by some to be the "Grandfather of Rock-and-Roll", his vocal phrasing, original songs, and guitar style have influenced a broad range of musicians, including John Fogerty, Bob Dylan, Johnny Winter, Jimi Hendrix, The Yardbirds, Led Zeppelin, The Allman Brothers Band, The Rolling Stones, Paul Butterfield, The White Stripes, The Black Keys, The Band, Neil Young, Warren Zevon, Jimmy Page, Jeff Beck, and Eric Clapton, who called Johnson "the most important blues musician who ever lived". He was also ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time. He is an inductee of the Rock and Roll Hall of Fame.

Meeting with the Devil at the Crossroads
A "vision", as told by Henry Goodman

Robert Johnson been playing down in Yazoo City and over at Beulah trying to get back up to Helena, ride left him out on a road next to the levee, walking up the highway, guitar in his hand propped up on his shoulder. October cool night, full moon filling up the dark sky, Robert Johnson thinking about Son House preaching to him, "Put that guitar down, boy, you drivin' people nuts." Robert Johnson needing as always a woman and some whiskey. Big trees all around, dark and lonesome road, a crazed, poisoned dog howling and moaning in a ditch alongside the road sending electrified chills up and down Robert Johnson's spine, coming up on a crossroads just south of Rosedale. Robert Johnson, feeling bad and lonesome, knows people up the highway in Gunnison. Can get a drink of whiskey and more up there. Man sitting off to the side of the road on a log at the crossroads says, "You're late, Robert Johnson." Robert Johnson drops to his knees and says, "Maybe not."

The man stands up, tall, barrel-chested, and black as the forever-closed eyes of Robert Johnson's stillborn baby, and walks out to the middle of the crossroads where Robert Johnson kneels. He says, "Stand up, Robert Johnson. You want to throw that guitar over there in that ditch with that hairless dog and go on back up to Robinsonville and play the harp with Willie Brown and Son, because you just another guitar player like all the rest, or you want to play that guitar like nobody ever played it before? Make a sound nobody ever heard before? You want to be the King of the Delta Blues and have all the whiskey and women you want?"

"That's a lot of whiskey and women, Devil-Man."

"I know you, Robert Johnson," says the man.

Robert Johnson, feels the moonlight bearing down on his head and the back of his neck as the moon seems to be growing bigger and bigger and brighter and brighter. He feels it like the heat of the noonday sun bearing down, and the howling and moaning of the dog in the ditch penetrates his soul, coming up through his feet and the tips of his fingers through his legs and arms, settling in that big empty place beneath his breastbone causing him to shake and shudder like a man with the palsy. Robert Johnson says, "That dog gone mad."

The man laughs. "That hound belong to me. He ain't mad, he's got the Blues. I got his soul in my hand."

The dog lets out a low, long soulful moan, a howling like never heard before, rhythmic, syncopated grunts, yelps, and barks, seizing Robert Johnson like a Grand Mal, and causing the strings on his guitar to vibrate, hum, and sing with a sound dark and blue, beautiful, soulful chords and notes possessing Robert Johnson, taking him over, spinning him around, losing him inside of his own self, wasting him, lifting him up into the sky. Robert Johnson looks over in the ditch and sees the eyes of the dog reflecting the bright moonlight or, more likely so it seems to Robert Johnson, glowing on their own, a deep violet penetrating glow, and Robert Johnson knows and feels that he is staring into the eyes of a Hellhound as his body shudders from head to toe.

The man says, "The dog ain't for sale, Robert Johnson, but the sound can be yours. That's the sound of the Delta Blues."

"I got to have that sound, Devil-Man. That sound is mine. Where do I sign?"

The man says, "You ain't got a pencil, Robert Johnson. Your word is good enough. All you got to do is keep walking north. But you better be prepared. There are consequences."

"Prepared for what, Devil-man?"

"You know where you are, Robert Johnson? You are standing in the middle of the crossroads. At midnight, that full moon is right over your head. You take one more step, you'll be in Rosedale. You take this road to the east, you'll get back over to Highway 61 in Cleveland, or you can turn around and go back down to Beulah or just go to the west and sit up on the levee and look at the River. But if you take one more step in the direction you're headed, you going to be in Rosedale at midnight under this full October moon, and you are going to have the Blues like never known to this world. My left hand will be forever wrapped around your soul, and your music will possess all who hear it. That's what's going to happen. That's what you better be prepared for. Your soul will belong to me. This is not just any crossroads. I put this "X" here for a reason, and I been waiting on you."

Robert Johnson rolls his head around, his eyes upwards in their sockets to stare at the blinding light of the moon which has now completely filled tie pitch-black Delta night, piercing his right eye like a bolt of lightning as the midnight hour hits. He looks the big man squarely in the eyes and says, "Step back, Devil-Man, I'm going to Rosedale. I am the Blues."

The man moves to one side and says, "Go on, Robert Johnson. You the King of the Delta Blues. Go on home to Rosedale. And when you get on up in town, you get you a plate of hot tamales because you going to be needing something on your stomach where you're headed."

I am sharing this, nearly the entire Robert Johnson poat taken from the site Haunted America Tours. Thank you so much. May you have all due success and happiness. It was too good not to share. That I should find an oblique reference to a friend of mine in the whole thing was just too much.

Here is another crossroads. This poem was first posted April 24, 2009

I'll Play Such A Lick

Here at the crossroads
I shall bring out my guitar
And play such a lick
The world will begin.

You will come down the bright lines
Of the eternal highway
To stand before me.
I will mute my sound and bow,
Then will gather all.

December 29, 2008 9:27 AM


  1. She was beyond shock, I was B-lan-chard. Blanchard was my mother's maiden name. Her mother's maiden name was Parker.

    I'm listening to the radio and Nancy is speaking all kinds weird.

    Have-a-hap-hap-happy Valentined ay! and if the timing is written, halve a celebratory day celebrating someone's birth day and anotherm other's unbirthday very merrily.

    (sorry bout all the nonsense, it's just that V sounds like B)

    don't it, deste, don't it make your browned eyes Blue

  2. Thank you, who. I hope you are well loved on all sides.

  3. I almost didn't want to listen, as all who listen will be posessed. I've enough demons to fight without the addition of another. I clicked off at half way. Figured I'd be safe that way. Such a cool sound.

  4. Annie, you know there are people out there who think he was just a good musician with typical bluesman erotic habits, so lots of dope and women. The fact that so many other hot musicians die at age 27 suggests that the talent is "normally" there in musical genius, but that it is dangerous to be that good.

    It's a spiritual thing in any case. If not posession or diabolical contract (a different thing, by the way), then genius is a demanding driving wheel and if you are not spiritually mature enough, then you break sideways and burn out. The price is often a fatal one.


The chicken crossed the road. That's poultry in motion.

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